It is been approximately 20 a long time since the reclusive, mysterious, almost legendary comedy writer John Swartzwelder still left “The Simpsons,” and still, to this day, a person of the most significant compliments a “Simpsons” author (or any comedy author) can get is to have a joke referred to as “Swartzweldian.” Meaning: A joke that comes out of nowhere. A joke that no one particular else could have composed. A joke that sounds pretty much as if it had been hardly ever prepared, as if it’s constantly existed.
Take the pursuing joke, a preferred among the “Simpsons” writers and admirers, which appears in Time 8’s “Homer vs. the Eighteenth Amendment,” when Homer stands atop a stack of barrels, outside a pawn shop, and provides a toast to a collected group: “To alcohol. The result in of, and answer to, all of life’s complications.”
Swartzwelder has been deemed “one of the greatest comedy minds of all time.” He is famously non-public and never ever grants interviews. Number of pics of him exist, whilst he did make some animated cameos as track record “Simpsons” characters—once as a individual in a psychiatric healthcare facility. His voice can be listened to on only one particular “Simpsons” DVD writers’ commentary, for “The Cartridge Family” (Time 9, Episode 5). Ambushed by phone, although at property cooking a steak, he sounds enjoyable and courteous but eager to end up the come across, which lasts all of a minute and twenty-4 seconds.
A couple of details seem to be certain. Swartzwelder was born in 1949 in Seattle. He worked a several yrs as an advertising copywriter in Chicago. He applied for, but hardly ever acquired, a task at “Late Night time,” and experienced an awkward job interview with its host, David Letterman. He labored at “Saturday Evening Reside,” in 1985, for one particular particularly rocky season, right before currently being hired 4 many years later at “The Simpsons,” based partly on his contributions to a minor-known comedy zine. He went on to generate fifty-9 episodes, far more than any other writer in the show’s history.
Swartzwelder’s specialty on “The Simpsons” was conjuring dim figures from a strange, aged America: banjo-participating in hobos, cigarette-smoking ventriloquist dummies, nineteenth-century baseball gamers, rat-tailed carnival children, and pantsless, singing aged-timers. Soon after leaving the demonstrate, in 2003, Swartzwelder wrote and self-posted the first of his 13 novels, all but two of which attribute a person of the most great creations in printed comedy: Frank Burly, incompetent private eye and occasional time traveller. None of the books operate far more than a hundred and sixty web pages all are packed, like a dense star, with extra substance than seems physically possible.
Not long ago, in the training course of a month and a 50 percent, I corresponded with Swartzwelder through e-mail. He patiently answered most of the inquiries I requested him about writing the most effective jokes in the ideal episodes of arguably the finest comedy of the very last century. Our dialogue has been edited for length and clarity.
When I requested if you would take part, you claimed that you ordinarily wouldn’t, but that The New Yorker name has usually held a selected magic for you. Did you mature up looking through the journal?
The New Yorker was the home of a whole lot of writers I liked when I was developing up, which include my favored: Robert Benchley. Benchley was splendidly funny when he felt like it, and he didn’t appear to function at all. All he and his Algonquin Spherical Desk friends appeared to do was enjoy foolish games and try to make 1 a further giggle, leaving the celebration sometimes to sort out a Pulitzer Prize-profitable tale. After ten many years of losing their talent like this, they experienced all turn into rich and renowned, received every single award you can consider of, and produced The New Yorker. The lesson to me was obvious: comedy crafting was the way to go. Simplest career on the planet.
Do you nevertheless think about comedy creating to be the simplest job on the planet?
No, sir. I do not.
Beyond Benchley and the Algonquin group, who were being some of your comedic influences?
Steve Allen was my very first comedy hero. He was very easily humorous. And when the grownups close to me ended up dragging themselves home from function each individual evening, searching like it was the conclude of the globe, Allen could evidently just rest all 7 days, roll out of bed on Sunday afternoon, wander about to the studio, and child all around with his buddies and the viewers and maybe Elvis Presley for an hour. Then it was “Good evening, most people,” and back again to mattress. This designed pretty an perception on me.
You communicate as if you sought out a lazy profession, and however your standing is of currently being a person of the most successful comedy writers in tv record. Was it not so much about an straightforward vocation as staying in cost of your personal future?
You’ve place your finger on it. The most significant attraction of producing is that, theoretically, you can do it any where. I pictured myself surfing in Australia while doing the job out the plot of my next blockbuster comedy novel, or mailing in my most current joke from the top of a mountain. Which is how it appeared to me when I started. In serious existence, nevertheless, most of the time you have to drag your self into an business office and chain your self to a desk.
What was it about Benchley’s producing that appealed to you? When I examine your books, I’m reminded generally of S. J. Perelman—in equally situations there’s a wildness and absurdity, the likelihood that a joke can be taken any where, even at the price of plot or realism. And Perelman was so adept at mocking the design and style of pulp detective crafting, anything we see in your Frank Burly publications.
Perelman was excellent. Benchley truly wrote the similar variety of insane things that Perelman did, and he did it just as perfectly, if not greater, but he was a lot extra casual about it. Perelman crammed each joke he could believe of into every sentence and polished his parts relentlessly until finally they couldn’t get any crazier. There is a story that a friend named him up when he was composing a thing, and Perelman said, “I’ll simply call you back when I complete this sentence.” He known as back again the future working day and stated, “O.K., what do you want?”
When I 1st examine Perelman, it was fully in excess of my head. Fifty percent the phrases he was applying did not exist in the authentic planet, as significantly as I knew—and I was twelve, I’d been all over. I figured one particular of us was nuts. Afterwards on, when I had started off writing for a dwelling and picked up a several additional multisyllable text, I checked him out again. I’ve been a supporter at any time considering that.
How was these kinds of a vocation even a risk for you? Did you know any comedy writers? Did you even know any person who understood a comedy author?
I under no circumstances knew any comedy writers when I was escalating up, or read of any individual about city seeking to make a residing that way. So it was an uncommon preference for me to make. And simply because it was uncommon, it was hard to know where to start out. When I explained to people I didn’t want to have cement for a living, I preferred to produce comedy and be a national treasure instead, I acquired some odd appears to be. Some persons suspected I might be silly. Many others were being guaranteed of it.